[link to original on tumblr]
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Of what I discovered listening to the album to-day, I think the most interesting is the comparison between "And I Love Her" and Buddy Holly's "Listen to Me," which Holly co-wrote with Norman Petty.
Some of the phrases in "And I Love Her" are right out of the chorus of "Listen to Me":
I told the stars you're my only loveThe "tenderly" shows up in the lines "She gives me everything / And tenderly." "And I Love Her" also uses the "bright stars" image, coupled with "know[ing]," and the same rhyme scheme as Holly's chorus (albeit with an extra line) in the last verse (which is repeated again at the end):
I want to love you tenderly
Those same bright stars in Heaven above
Know now how sweet sweethearts can be
Bright are the stars that shineSo "And I Love Her" bears some lyrical resemblance to Holly's song, but - like "Listen to Me" - it also plays around with double-tracking the voices.
Dark is the sky
I know this love of mine
Will never die
And I love her
In "Listen to Me," Holly uses double-tracking (or, rather, a lack thereof) to emphasize certain lines. Each of the verses is double-tracked, but one of the vocal tracks changes into a harmony during each "listen closely to me," which not only provides emphasis, but is also a sort of musical joke based on the word "listen."
McCartney's voice is double-tracked throughout "And I Love Her," except for the first two lines of that last verse ("Bright are the stars that shine / Dark is the night"). I should note that it's the verse that precedes the solo, not the repetition.
Because those lines aren't double-tracked, further emphasis is put on the lines that follow ("I know this love of mine / Will never die / And I love her") when the double-tracking resumes. As in Holly's song, the double-tracking provides a sort of extra-textual highlighting that lends more weight to those convictions.